There’s a good reason why BLADE RUNNER is still hailed as a masterpiece of science fiction/neo-noir/detective pulp filmmaking today. It’s just that good. This is the movie; along with “Alien” released two years earlier defined the look and feel of science fiction movies for the next thirty years. BLADE RUNNER is innovative in a lot of ways but most of all in the way it presented the future. Of course, for us living in 2014 which is right next door to the 2019 depicted in the movie we can get a chuckle at how far off the movie is in predicting where we would be. Continue reading “Movie Review: Blade Runner: The Theatrical Version” »
Every Western fan worth a plug nickel knows the classic ending to the legendary 1969 “Butch Cassidy and The Sundance Kid.” Wounded, vastly outnumbered and running low on ammo, Butch and Sundance charge dozens of Bolivian soldiers. The movie ends on a freeze frame shot as the sound of the soldiers repeatedly firing on the pair gets louder and louder. The conclusion we can draw is plain.
But there have been claims that continue to this day that neither of them died in Bolivia and that Butch and Sundance returned to the United States to live out their lives in peace. It’s certainly an intriguing theory and one that most people would like to believe as we all like to see likeable rogues and scoundrels get away with it. BLACKTHORN explores this possibility. It’s certainly not a direct sequel to “Butch Cassidy and The Sundance Kid” but there’s no getting around the fact that a lot of people are going to view it as such. And in truth the movie does have a couple of flashbacks to the young Butch and Sundance that attempt to recapture the mood and freewheeling attitude of the earlier film. But BLACKTHORN doesn’t need the flashbacks. It’s good enough to stand on its own feet without the earlier movie to give it a prop-up. Continue reading “Movie Review: Blackthorn” »
After all these years Hollywood has finally managed to do it. They’ve made a video game movie that actually is entertaining to watch and is clever enough that most people who watch it won’t even realize they’re watching a video game movie. But make no mistake; that’s exactly what EDGE OF TOMORROW is. Whenever the hero dies, his life is reset back to a starting point and he has to start all over again. But each time he gets a little further as he gains more knowledge and experience. And there are different levels where he has to accomplish certain tasks before he can move onto the next level. Continue reading “Movie Review: Edge Of Tomorrow” »
Much of the creative entertainments we enjoy are done according to formula, agreed? Why is such practiced, especially in movies? Because there are certain movie formulas that are guaranteed to work no matter if the movie is made in 1959 or 1977 or in 2011. Criticizing a Western for having gunfights at high noon, horses and buffalos is kinda silly because when you watch a Western you have certain expectations of what you’re going to see. After all, isn’t that why you’re watching a Western? Because you know the formula, you just want to see them played out in a different mix, is all. Continue reading “Movie Review: Battle: Los Angeles” »
I’ll give Seth MacFarlane credit for his ambition in making a western comedy. Mel Brooks pretty much had the last word in that genre with his side-splitting “Blazing Saddles” a film that to this day I still consider the funniest movie ever made. And Mel Brooks is safe as A MILLION WAYS TO DIE IN THE WEST comes nowhere near the level of hilarity that “Blazing Saddles” does. Oh, it tries hard and there are some touches here and there that are homages to “Blazing Saddles”: the overblown theme music that sounds as if it were scored for a straight-up Western Saga. The townspeople who act as a Greek chorus commenting on the antics of the main characters. The gleeful politically incorrect jokes.
But where Seth MacFarlane goes off course that there are long stretches of the movie where I think he forgot he was supposed to be making a comedy. I appreciate his efforts to give us an honest love story in there but he had no idea how to smoothly integrate the two. So we get a comedy that stops dead in its tracks for the love story which in turn has to be put on hold when MacFarlane realizes he hasn’t given us a joke in the last five minutes. Continue reading “Movie Review: A Million Ways To Die In The West” »
While Marvel Comics is consistently hitting home runs with their film adaptations of their classic superhero characters, DC Comics is a hit or miss proposition. We’ve gotten used to Marvel superhero movies being nothing short of epic but DC superhero movies are something of a crapshoot. I think it’s safe to say that their misses outweigh their hits by a significant margin. My solution for this is simple: let the talents who produce the DC Animated Films take over doing the live-action movies. I do not joke. The talents doing the animated movies have proven over more than two decades now that they’re more in touch with who these characters are and how to tell their stories. Let’s take BATMAN: YEAR ONE for instance. The producers and writer of the movie, realizing that the story they had to work with was so strong and so cinematic that they wisely decided there was no need to muck around with it. So what you’re getting is an amazingly literal translation of the graphic novel to animation. And it works very well. Continue reading “Movie Review: Batman: Year One” »
Rodney Dangerfield will always be renowned as one of the true legends of stand-up comedy. He’s one of the few comedians who could make an entire concert hall full of paying customers collapse into hysterical fits of laughter simply by saying one line; “I don’t get no respect!” As a kid I used to see him all the time on “The Ed Sullivan Show” and “The Tonight Show” but I really didn’t understand his style of comedy until I was older. And certainly by the time he began making it big in movies like “Easy Money” and “Caddyshack” I was able to properly appreciate his humor and his jokes. Now most people hold up “Caddyshack” as the height of his movie career but for me it’s BACK TO SCHOOL. It’s one of the few comedies that I’ve seen multiple times but laugh every single time I see it as if I’m watching it for the first time. It’s got a great eclectic supporting cast; Sally Kellerman, Keith Gordon, Paxton Whitehead, Ned Beatty, Sam Kinison, Terry Farrell, M. Emmet Walsh, Burt Young, Adrienne Barbeau and Robert Downey, Jr. But for me the main attraction is Rodney Dangerfield front and center playing a really great, larger than life character as he breezes through the movie throwing off one-liners with a speed and delivery that would make Groucho Marx dizzy with envy. Continue reading “Movie Review: Back To School” »
I remember reading a bunch of articles in various movie magazines such as Cinescape and Cinefantasque a couple of months before ATLANTIS: THE LOST EMPIRE hit movie theatres. Most of the articles were gushing on and on about the producers hiring the same linguist who created the Klingon language for Star Trek to create an Atlantean language for the movie. Now, you have to wonder why the producers went to all that trouble since the Atlantean language is heard on screen for maybe 30 seconds and written Atlantean is hardly seen. And in any case, the main character translates it for the rest of the characters (and thereby for us, the audience as well), so what’s the point of going to all the trouble to invent a new language? After seeing ATLANTIS: THE LOST EMPIRE, I figured it out: the producers had to do something to justify the incredibly thin and tired story. After spending all that money on a brand new language and the animation, they probably didn’t have much left over to pay one good writer. Which may explain why there are six credited writers: my guess is that they were so bored with trying to write this story that they just passed the script around in a sort of round robin: whenever someone got tired of writing, they just passed it on to the next poor sucker in line. Continue reading “Movie Review: Atlantis The Lost Empire” »
It’s kinda difficult to categorize exactly what ASSASSINATION TANGO is all about. It’s got Old Time Tough gangsters, hit men and political intrigue. It’s also got beautiful women and handsome men in Buenos Aires dancing the tango. A lot. Which I suppose leads to the question is ASSASSINATION TANGO a crime thriller or a dance movie? I guess it’s both and it’s neither. It manages to serve up generous helpings of both while also being a character study as well. How well Robert Duvall as writer, director and star of this movie pulls it off is entirely up to those of you who take a chance on watching it.
John J. Anderson (Robert Duvall) is a career mob hit man past his prime. But he’s still a dangerous son of a bitch when he has to be. But he no longer wants to be. All he’s interested in is settling down with his girlfriend Maggie (Kathy Baker) and her 10 year old daughter Jenny (Katherine Micheaux Miller) and take care of them. But Anderson is persuaded by his boss, Coney Island mobster Frankie (Frank Gio) to accept a hit in Argentina. The money’s too good to turn down and after Anderson gets Frankie’s word of honor that this will be his last job, Anderson flies down to Buenos Aires. Continue reading “Movie Review: Assassination Tango” »
In the first thirty seconds of the 2010 remake of AND SOON THE DARKNESS we see a bound, near naked woman doused with water and then whipped with a live electrical wire until she collapses into unconsciousness. That told me right there that the writers and the director of this remake were going to throw out everything that the writers and director of the original had done to make that movie unusual, unique and suspenseful. I was right.
This version of AND SOON THE DARKNESS follows the basic plot of the original, transferring the setting from rural France to rural Argentina and making the girls American instead of English. Stephanie (Amber Heard) and Elle (Odette Yustman) are part of a bike tour of that country. They decide to split off from the group and go their own way for a bit, intending to catch a bus the next day and rejoin the group. They stay the night at a hotel where Elle persuades Stephanie to come with her to hang out at the local bar. Stephanie’s promiscuous behavior gets her the wrong kind of attention and she’s rescued by Michael (Karl Urban) another American staying at the hotel. Continue reading “Movie Review: And Soon The Darkness (2010)” »